A GUEST POST BY MY WIFE, Jenny Jo
I’ve been thinking a lot about the football players’ protests of the national anthem. On the face of things, I don’t like it. By any accounting, Americans are the most free, most wealthy, most generous people on earth, and we should be thankful for our citizenship here. I think that this method of protest (disrespecting the symbols of our country) in order to make an unrelated political point so clouds the issue that many patriotic Americans can’t see beyond it. And Trump’s nasty words had the result of making this past Sunday’s protests more about him than about anything else.
But, digging a little deeper to consider the protestors’ motives, I agree that this country has a police brutality problem. President John Adams once said, “Our Constitution was made only for a moral and religious people. It is wholly inadequate to the government of any other.” As our society becomes increasingly more immoral, and as the citizens fail to restrain themselves, it follows that the heavy and inadequate hand of the government (the police) will do increasingly more of the restraining for us. In such a climate, a few policemen (sinners just like the rest of us) become tyrannical, and a few become so jaded that everyone appears as a law-breaker. Both situations lead to the abuse of the innocent. How many times have we heard, on TV, in the movies, or in real life, a policeman say, “I AM the law?” This perspective is very, very wrong. I think there is almost no justification for a policeman to use his weapon against a citizen: only in the case of an immediate lethal threat to the policeman or an immediate lethal threat to someone else. Unarmed people should never, ever be shot. It is far better to err on the side of criminals eluding justice than the side of innocents dying. This is an issue, a societal problem, worthy of our attention.
Whenever controversial issues like this one come up, I always do lots of mental gymnastics, trying to turn the situation around to see how I’d feel if the shoe were on the other foot. Would I approve of a professional athlete taking a knee to mourn the lives of all the innocent children murdered in abortion? Mmm. I might. I would also admit that doing so during the national anthem communicates an anti-patriotism that I do not support and distracts from (nay, even harms) the original point of the protest. And it downright angers people for whom love of country is a more important issue (than abortion, racial issues, or whatever). As mature, thoughtful people, we have to admit that all issues aren’t equally weighted for all people. Isn’t that one of the things pollsters are always asking in the run-up to elections? For me, abortion is more important than racial tension or school spending or minimum wage because if we kill a person as an infant, then his race, his education, his income are all completely moot. We have to ensure survival before we bother about secondary things. Now I have good friends, church friends even, who believe racial equality is the more important issue. While I disagree (and am happy to debate the essential import of abortion), I do refrain from accusing them of allowing their priorities to make them de facto supporters of abortion. As also, by the way, they should refrain from accusing me of being a de facto supporter of racism. This brings me back to the beginning. In our society, we seldom consider the other person’s perspective this way. Many voices in the public square these days are saying that valuing a love of country over a desire to end police brutality is the same as being racist. And that’s not true. Just because opposing racism isn’t a person’s highest ideal does not mean that it isn’t an ideal at all. I suspect that NFL players would find many, many more people would rally to their cause if they could make their appeal for the one thing without simultaneously disrespecting another.
And now for a note about the disproportionate percent of African American people being killed by police. African Americans make up 13% of the US population. 223 African Americans were killed by cops last year, which is 21% of those killed by cops. 315,000 African Americans were killed last year by abortion, and that’s 35% of abortions. Now, which of these is worse for African Americans, both in numbers of actual dead bodies and in percentages compared to other races?!?! You can check my math on this, but I’m pretty sure that if you’re an African American, you are a gazillion times more likely to be murdered as an infant than you are to be killed by a cop.
- Jenny Jo
Thursday, September 28, 2017
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Thoughts on the current protests - GUEST POST |
Tuesday, September 12, 2017
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Tales from the Box Office |
I keep up with the box office and movie industry. I feel it gives a good pulse of society and
culture. I like to play arm chair movie
manager just as much as the next guy, which seems to be a lot because people
often write about the movie industry.
The Atlantic has a piece about the horrible box officeincome of the summer, especially the last month, and while The Atlantic writer
gets close, she misses two major things that show her leftist bent. Misunderstandings like this are why the industry
is losing money to places like Netflix.
The first reason why the summer receipts are so bad is not
so much betting on a few properties and putting lots of money into pushing
certain movies, but rather the calendar itself has changed. And of course we can always play the “maybe
it would have been a better idea to put money behind the marketing of Captain
Underpants rather than the Mummy”, I don’t think this is the real reason. Rather, the changing calendar has changed the
Summer Blockbuster window itself. Take a
look at the big money movies this year.
You won’t find an August opening movie until #22. Yes, they are mostly still out, but in years
gone by you would have found more higher on the list because August was still blockbuster
season. Why the change? School.
Most kids are back in school by the second week of August now. The time for movie theater trips is
over. Friday night football is usually
going before September. This is no
longer movie time, but school time. If
you look at the list again you will find many pre-Memorial day releases. Guardians of the Galaxy at #3, Logan at #6,
and Fate of the Furious at #7 are both prior.
School is basically over for many by May. They may be attending still, but meaningful
school is over. So movie time it
is. That gives them time to be out and well-reviewed
by the time Memorial Day hits keeping financial returns strong. Those movies also are all sequels so the
movie goer is already invested. No need
to wait to release if the people are already waiting for you. For movies appealing to younger children one
can be released even earlier. See Beauty
and the Beast #1 and Lego Batman #8.
And yes if you look at this by opening weekend alone it does
not change much. Still no August
releases until #20. Dark Tower was
probably a bad movie and would have had massive drop off, but I bet its opening
would have been better if it had been released in July. The same is probably true for the Hitman’s
Bodyguard, which is a typical summer movie fare, but only garnered 21 million
opening weekend thanks to it being after summer was over because school had started
back. Its nice performance on Labor Day weekend shows that it suffered, not from story, but from the fact August people don't see as movie time anymore.
The other major omission from the Atlantic is the content of
the movies that seem to make the most money.
Hollywood really does hate its main audience. Just like political pundits cannot figure out
how Trump won most of the country, they can’t figure out what makes a movie
most of the country wants to see. The
top of the box office list is dominated by super heroes, which fundamentally
are a good v evil tale. The heroes are
from the 40’s and 50’s and so are also fundamentally about American ideals
including traditional morality. That is
half of the top 5. In fact, every super
hero movie released by Marvel or DC is in the top 10 including a Lego Batman
movie. The top spot is taken by an age old
fairy tale Beauty and the Beast, which also then reflects good old morals such
as not judging a book by the cover and such things that we used to want to
teach our kids. It did add in a few
seconds of agenda pushing, but it was so in the background no one cared. Dunkirk as well is about WWII where good
fought evil and is about heroism in leaving no man behind. Despicalbe Me 3 is a franchise for kids, and
The Fate of the Furious is something like the 8th or 9th
entry into its franchise and features the biggest box office name in the
business today Dwayne the Rock Johnson.
The only exception to the traditional morality and tales is
at #10 in Get Out. Now Get Out was
universally loved by the Hollywood critics probably causing an uptick in its
sales numbers. And I do mean
universally. The only critic to be
negative about the movie was Armond White, and he was lambasted on Twitter for
failing to fall down in love of this movie.
The movie is about racism set in a horror movie genre using the suburbs
as the backdrop. The all white people
are really racist, even the liberals, is not a theme that most people want to
see even if it is done in a unique horror movie style. Now it did make a lot of money, but it will
fall out of the top 10 soon. The movie
will probably end up behind Boss Baby, another cartoon, and probably behind
Pirates of the Caribbean too. But the
remake of “It” is clearly going to end up in the top 10 after the 3rd
biggest opening weekend of the year in September. This will knock all exceptions out of the top
10.
Now look at the list of movies that littered the flop
category. It is littered with two types
of movies. Liberal garbage, which comes
in two types: movies that preach liberalism (see Fifty Shades Darker, Emoji
Movie, and the Shack) and movies that are starred in by those who spout
liberalism so much they are hated by most people (ex. Snatched). Detroit might be the best example here. A limited opening garnered it critical praise
for its police brutality and civil rights themes. It then went into over 3,000 theaters, and
still made less than 20 million dollars.
And the other type of movie is the movie with good source material that
was changed, ignored, or tampered with to remove its traditional message that
made them classics in the first place. Now
in this group I do place those remake of 80’s and 90’s cultural icons that were
redone in such a way to show contempt and hatred for them. CHiP’s and Baywatch are perfect
examples. I watched CHiP’s, but not
Baywatch as a kid. Regardless of whether or not
you liked those shows, they were successful.
Remaking them into pathetic comedies that neither does justice to nor
celebrates the source material is bound to fail. If you hate something, don’t try to write a
movie for it. Many Hollywood people
today hate American anything from its past, so expect it to fail. Also King Arthur falls here. The heroic Arthur restoring order, setting up
the Round Table, and searching for the Holy Grail is not in this movie, and the
movie failed miserably.
You could probably add a third category of just awful story
telling. The Circle would fit that. This movie ended in such an awful and unintelligible
fashion that you felt ripped off from what up until that point had been a
pretty good movie. I still get mad just
thinking about all the foreshadowing that was flushed down the toilet for an
ending that I still don’t think I get. I
actually watched the bonus features on that DVD to see what happened, and
apparently the people talked about all of this emotion building in their main
character that I never even came close to seeing and in the end she didn't act on any of it anyway. The movie they were communicating was
completely different from what came across on screen. No one wants to see such bad movies.
What is the lesson?
The lesson is the culture makers in this country are redefining
morality. They are committed to it. Most of the country would prefer it not
changed, but most don’t fight it. They
probably don’t have the answer which is found only in Christ. Lots of people follow traditional morality
without a reason why. The next
generation is being shaped now by these culture makers. They are going to be okay with all the moral
non-sense. They just won’t know how to
tell a decent story and will have no idea what entertainment actually is.
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